Discussion

For our first session, we look at that ubiquitous, problematic symbol of American exceptionalism: the Frontier. From Frederick Jackson Turner’s famous elegy in 1893, to the gun-toting cowboyws of John Ford’s mid-century cinema, the Frontier remains an indelible part of American identity. What are the costs of sustaining such myths? Who is included and excluded from narratives of the Frontier?

Sally Bayley’s excerpt explores ideas of home, space, and the frontier as it exists across American memory. It’s worth noting that this essay is taken from a larger chapter, so seek out the book if this interest you.

Brian McHale’s reading examines the ontological nature of the frontier in post-WW2, postmodern fictions, and examines how frontiers manifest in unlikely places.

Evelyn Cameron’s striking frontier-era photography originates from the nomadic ranch life she led as a professional photographer in Montana in the late 19th century. She privileges female autonomy and scenes of labour in her stunning exposures.

Reading

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